Language in Wilfred Owens The Sentry :: essays research papers

Wilfred Owens The SentryTo me Wilfred Owens poetry is visually descriptive, so a lot so that he seems to be able to effortlessly transport you into whatever situation he is describing.This particular poem leaves you in no doubt as to the horrors of war and the terrible atrocities these poor men endured.In the opening line he says and he knew using the technique of personalisation he has turned the massive debate force into a single person, someone who was actively trying to single them out, to attack them personally. This shows you just how desperate they felt and how to them no matter where they seemed to find nourish he was never far behind. He goes on to say and gave us sinning for shell on frantic shell hammered on top, entirely never quite got through. By using the term hell he is actively describing the terrible endlessness of their situation or the perseverance of the enemy and the event that they cannot escape. enduring the onslaught, hour on hour, day by day. Fran tic shell the word frantic to me describes the non-target based shelling, as the enemy knew they that their enemy was somewhere in front of them, so just seemed to shell anywhere within that vicinity in the sure hope that they would be causing death eventually. The use of the rime words hell and shell automatically connects the two words in the readers brain, forming a connection and reinforcing the idea of the battle being hell.Hammeredis also a very thought provoking verb used in this line, this word used in this particular sentence is brilliant, it not solitary(prenominal) describes the noise, as you cannot hammer quietly, but describes the repetition, when hammering something you repeatedly strike it. Hammered is a violent verb and its two syllables makes the word sound short and harsh. In the next line, rain, guttering down this makes me think the guttering I produce on my house, a purpose made moulded channel used to transport water. He deliberately used this word to con vey just how much rain had fallen that it had naturally moulded gutters out of the mud, channelling the slime and slurry into waterfalls. There is also assonance in this sentence emphasising the guttering (which I have already analysed above).Wilfred Owen is cleverly able to relate to you a description of a bomb without ever actually calling it a bomb.